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a Review of One Thousand Gifts by Ann Voskamp
By Bob DeWaay
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We live in a theological age (postmodern) where the rational and cognitive are questioned and replaced by the sensual and mysterious. Many churches promote the idea of worshipping God with all five senses. Feelings trump clear Biblical exegesis, systematic theology, statements of faith, and any other rational approach to Christian theology. Into this milieu comes a book that takes romanticism to a new level, using sensuality to invoke religious feelings and ostensibly true devotion. The book is One Thousand Gifts by Ann Voskamp, a Canadian farmer’s wife.
Written entirely in the present tense, using an approach to the English language that takes numerous liberties for the sake of creating poetic feeling (like using adjectives when the rules of grammar demand an adverb and consistently having adjectives follow rather than precede the nouns they modify), Voskamp weaves a tale of discovering devotion to God through encounters with nature and art. In her experience, Voskamp found the secret to joy through what she calls eucharisteo (“giving thanks” transliterated from the Greek).
My purpose is not to begrudge Voskamp her religious feelings, nor to disagree with the basic thesis that Christians ought to give thanks to God in all things, but to object to the panentheistic worldview revealed in the book and the romanticism that accompanies it. First we will explore those two ideas.